Some writers scoff at the idea of being part of a critique group. A waste of time, they think. Me? I understand the value of them. So much so, that when I started writing for money, one of my first tasks was to find a writing network. I haven’t looked back since.
I’m now in a romance critique group which was started in April of this year. The most valuable reward is that I’m writing regularly. I started Anya’s Redemption, my novel-in-progress, more than a year ago. Under normal circumstances, I would have finished within four to six months and started the task of editing. But I neglected the story for months and only got on track in April.
My three chapters come up for review every three weeks, which puts me under pressure to have something ready. But I don’t mind. As odd as this sounds, if my week isn’t on the horizon, I don’t start writing. So, that’s one way in which the group works for me. It keeps me disciplined. Focused Writing.
Writing in the haphazard way that I do means I don’t always prepare a manuscript bible. You know that notebook or folder where every little detail to do with the novel goes? That same one. What happens sometimes is that my protag might have copped out of a relationship two years ago and in another she’s slipped in an additional year. Some sharp eye or memory is going to catch that. Another good reason to be part of a critique circle. They have your back and catch your errors.
Then there are the happenings I can convince myself make sense when they don’t. Say my protag suffers from depression, but she’s hell bent on getting some nookie. Some smart cookie will call me on that. Hey now, since she’s depressed, I don’t think she’ll be all that interested in sex. Maybe have her do this thing or that other until she’s feeling a bit better, then she can move on. The same goes for any incredible happenings that don’t make a lot of sense or aren’t based on any real motive.
When you can’t afford an editor, your critique partners are the next best thing. This assumes they’re of a certain skill level where grammar and such are concerned. We all know from experience that exhaustion sets in after a hundred editing passes. The mistakes become invisible. The only way to find them - outside of your support group – is to sneak up on them. Rest a few days…weeks…maybe a month if you have the luxury, and then pounce again.
In any cluster of people, there are those who can give expert advice based on their profession. In the same way, writers have weaknesses and strengths – the ability to find plot holes, the knowledge of a grammar guru, a good eye for sentence structure or a talent for spotting inconsistencies. This combination works for the good of all.
Not by any means least, my critique partners understand when a character or scene refuses to cooperate. They are the best resource I have, other than my notes, books, story maps, and the internet.
Courtney, Diana (who’s only submitted one story so far, but never fails to review my work), Nadine (who was with us for a while) Rian (the newbie in the group), Sybil and Tina, many thanks for what you do.

















